Porsche "The Heist" Extended Cut

Porsche Heist VFX Casestudy

Inside "The Heist": The Making of Porsche's Big Game Commercial

Porsche: Heist Easter Egg Car Lookdev

Porsche: Heist s230 Comp Breakdown

Porsche: Heist s250 Comp Breakdown

Porsche: Heist s270 Comp Breakdown

Porsche: Heist s830 Comp Breakdown

Porsche: Heist s840 Comp Breakdown

Porsche: Heist s880 Comp Breakdown

Porsche: Heist s910 Comp Breakdown

I had a blast serving as CG Supervisor for Porsche’s first Super Bowl spot in 25 years. I led Carbon Chicago’s CG & Nuke teams in achieving 18 VFX shots on a tight deadline with minimal fuss and, happily on a project of this nature, no client revisions. My favorite part of the job was shading, lighting, and comping the “Easter Egg” car that Porsche wanted to feature but could not film practically without risk of exposure ahead of its upcoming launch. Our fully digital car was shown only briefly in the final film but still managed to elicit huge reactions from Porsche fans who enjoyed scrutinizing every pixel of the car

https://www.motortrend.com/news/2021-porsche-911-gt3-teaser-super-bowl/

https://www.motor1.com/news/395034/new-porsche-911-gt3-teased/

https://www.autoblog.com/2020/01/28/porsche-911-gt3-super-bowl-commercial/

Agency: Cramer Krasselt

Client: Porsche

Carbon Credits

Executive Producer
Phil Linturn

Producer
Lauryn Grimando

On-Set VFX Supervisor
Sasha

Lead Flame Artist
Michael Sarabia

CG Supervisor
Tim Little

CG Artists
Quin Barclay
Matt Stevens
Alex Rumsa
Tim Little

Flame Artists
Jaime Beckwith
Heidi
Matt Bregger

Lead Nuke Compositor
Jen Howard

Nuke Compositors
Adam Thompson
Danny Noren
Matt Doll
Tim Little